13th September 2019 to 25 January 2020
“Lina Iris Viktor’s magnificent work centres the black figure as the universal human form through which narratives are weaved, histories entwined and possible futures imagined”
Renée Mussai, Curator
Become immersed in deep lustres of black punctuated with luminous 24-karat gold and opulent ultramarine blue hues in Lina Iris Viktor’s singular artistic universe.
Her photography, painting and sculptural installations are infused with cultural histories of the global African diaspora and preoccupied with multifaceted notions of blackness: as colour, as material and as socio-political consciousness. To Viktor, black is the proverbial materia prima: the source, the dark matter that birthed everything.
This is the British-Liberian artist’s first major solo exhibition in the UK, with more than 60 works on display in two galleries, many seen for the first time.
ABOUT THE ARTIST
Lina Iris Viktor lives and works itinerantly between New York and London. Raised in London to Liberian parents, she travelled extensively in her youth, and also lived in Johannesburg, South Africa, for several years. Viktor’s multifaceted practice is informed by a background in theatre and film at Sarah Lawrence College, New York, and her continued studies in photography and design at The School of Visual Arts, along with an education in performance arts during high school. Working with a restricted colour palette, her artworks are a blend of photography, performance and abstract painting, along with the ancient practice of gilding with 24-karat gold to create increasingly dark canvases embedded with ‘layers of light’.
Selected solo exhibitions include A Heaven. A Hell. A Dream Deferred, NOMA, New Orleans (2018); The Black Ark, The Armory Show, Mariane Ibrahim Gallery, New York (2018); Black Exodus: Act 1 – Materia Prima, Amar Gallery, London (2017); Arcadia, Gallery 151, New York (2014).
Since 2014 her work has featured in numerous group exhibitions internationally, including recently Radical Love at Ford Foundation Gallery, New York (2019); Get Up, Stand Up at Somerset House, London (2019); and Re-Significations: European Blackamoors, Africa Readings, Manifesta Art Biennial 12, Palermo, Italy (2018), among others. Viktor was a contributor to the 2019 Spring issue of Harper’s Bazaar.
Her work is held in the public collections of the Smithsonian’s National Museum of African Art, Washington, DC; the Crocker Museum of Fine Art, Sacramento, California; Autograph, London; and many private collections worldwide. She is represented by Mariane Ibrahim Gallery, Chicago.