This Month’s Events
Oxo Tower Wharf
10 April to 19 April 2020
The biggest biennial art awards in the UK exploring spirituality through the visual arts is now open for submissions.
The Chaiya Art Awards is open to any artist and covers all mediums including painting, drawing, sculpture, ceramics, glass, textiles, mixed media, photography and video. We have also introduced an additional category for Community Groups, who can submit a collaborative piece. Artists are invited to be authentic and daring as they respond to the theme. This competition is open to people of all faiths, to those who have no belief in God, and to everyone in between. It’s about continuing an age old conversation in a modern setting with contemporary eyes.
The winners exhibition will take place at London’s prestigious South Bank gallery@oxo from 10-19 April 2020.
The first Chaiya Art Awards proved hugely popular, with over 450 entries and more than 2,700 exhibition visitors. New to Chaiya 2020 will be an ‘affordable art fair’ over two days of the exhibition. We will invite artists in the exhibition to be present, to discuss, promote and sell their work.
A respected panel will anonymously judge entries on Originality and Technical excellence, Theme Interpretation and Emotional Impact .
Full details of the awards, theme, criteria, deadlines and how to enter, can be found at: https://chaiyaartawards.co.uk
West Coast Stories – Southern Californian art in the 1960s and 1970s: Assemblage, Abstraction, Pop and Moving Image
Courtauld Institute of Art
5 lectures, beginning 28 April 2020
(5 lectures for £95)
The summer term lectures will take us to the West Coast of the USA, and in particular to Southern California – an artistic centre quite apart, in its self-image, its institutions and its cultural roots from the generally better-known art-scene of the East Coast.
We shall focus largely on the 1960s and 1970s, a socially and culturally creative period that saw the explosive development of a hedonistic music and counterculture based on new forms of expression and liberation. It was, however, also a time ravaged by the divisive war in Vietnam, the suppression of free speech throughout the country and the continued struggle for civil, queer and feminist rights – the latter represented for instance in the progressive California Institute of the Arts’ [CalArts] pioneering Feminist Art Program, and embodied in the collaborative installation Womanhouse by Judy Chicago, Miriam Schapiro and others.
The art emerging from this place and time is among the most exciting produced in America during the 20th century. Ground-breaking movements and artists emerged, building on and going beyond the characteristic patterns of art-making that were then dominant: the paintings of Sam Francis, for instance, that brought the visual language of abstract expressionism in conversation with that of the rapidly growing culture of psychedelia. There were also the radical assemblage works of Ed and Nancy Kienholz, whose diorama-like installations presented a dark vision of life on the margins. Ed Ruscha, Peter Saul and other West Coast artists created an idiosyncratic take on Pop art, while the Light and Space movement represented a specifically Southern Californian version of Minimalism. The Hollywood film industry, of course, loomed large over the Californian scene, and a range of experimental ‘underground’ filmmakers from Kenneth Anger to Chick Strand responded in satirical and deeply personal ways to this cultural dominance.
The summer term lectures will be delivered by Francesca Wilmott, Dr Elizabeth Buhe, and Tom Day.
The Courtauld is undergoing a major redevelopment project, Courtauld Connects, which will transform our teaching and learning, Gallery and social spaces.
From January 2019, teaching and learning, including Research Forum and Public Programmes classes and events, will be temporarily relocated to our new campus at Vernon Square, Penton Rise, King’s Cross, London WC1X 9EW.
Other departments remain at Somerset House.